What a Fleming cheek

Sean Connery would never have become the most-famous James Bond if the character’s creator had had his way, it has been revealed.

Sean Connery Sean Connery

According to Ian Fleming, the first 007, Sir Sean Connery, was nothing more than an “overdeveloped stuntman”.[>

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Fortunately, the author’s opinion failed to prevent the Scots actor being handed the role and the rest, as they say, is history.[>

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Ahead of the release of the eagerly-awaited Bond epic, the Quantum of Solace, Sir Sean has spoken in a South Bank Show dedicated to the event.[>

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In the ITV show to be broadcast at 10.40pm next Wednesday, he said: “I never got introduced to Fleming until I was well into the first movie but I know he was not happy with me as a choice.[>

He told somebody that I was an overdeveloped stuntman

Sean Connery

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“He told somebody that I was an overdeveloped stuntman.[>

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“When I did eventually meet him I thought he was very interesting, erudite and a real snob. His company was very good for a limited time only.”[>

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Sir Sean claimed the essence of a good James Bond was to make everything look simple and easy.[>

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“That’s so that when there was any movement that was kind of important, it was the message that something was coming,” he added.[>

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The 78-year-old admitted to being perplexed by the post bag he still receives. He added: “I still get these notes sent to me with all that sexy stuff in them.”[>

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In the documentary, producer, Harry Saltzman, explains that he chose Connery from over 200 actors because he liked the way he walked.[>

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Saltzman said: “He moved extremely well, like a cat. The only one other actor who moved like that was Albert Finney.”[>

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Honor Blackman, who played Pussy Galore in Goldfinger, said he was the special ingredient that made Bond tick. She said: “After watching a film, women would go out lusting after Sean and men would go out walking tall.”[>

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The current 007 Daniel Craig copies many of Connery’s moves. He said: “Bond has always been something incredibly physical and Sean’s movies were dynamic and balletic.”[>

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